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For key video art research resources, visit the Vtape Online Catalogue to search over 4000 video art listings, and the Vtape Video Art Research Database to access over 2000 articles on video and media arts.

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Further 
Reading

This page contains bibliographic references for works cited within the texts on the Video Art in Canada Website, as well as suggested further readings on video art. Both English and French language texts are listed here.

Cette page contient des références bibliographiques sur les oeuvres citées dans les textes faisant partie du site Web de L’art vidéo au Canada, de même que d’autres suggestions de lecture sur l’art vidéo. La liste contient des textes français et anglais.

Works cited / Œuvres citées

1996 video reference guide catalogued by Vtape, Toronto: Vtape Publications, 1996.

Boyer, Jean-Pierre, Fabrice Montal, and Georges Privet, eds. Moments donnés . Robert Morin: interview(s)/Robert Morin: entrevue(s). Trans. by Timothy Barnard, Colette Tougas and Denis Lessard. Montreal: Vidéographe Editions, 2002.

Carrière, Daniel. "Domestiquer l’art vidéo.” Le Devoir. 9 Dec 1992.

Cohn, Norman. "In My End Is My Beginning." Norman Cohn: Portraits. Ed. Peggy Gale. Toronto: Art Gallery of Ontario, 1984. 33-37.

Ditta, Sue. “Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and Kim Tomczak.” The Blood Records, written and annotated. Oakville: Oakville Galleries, 1998. 11-28.

---. "A Work in Progress – An Interview with Colin Campbell." Colin Campbell: Media Works 1972 – 1990. Winnipeg: Winnipeg Art Gallery, 1991. 32-55.

Ferguson, Bruce. “Otherwise Worldly.” Colin Campbell: Media Works 1972-1990. Winnipeg: Winnipeg Art Gallery, 1991. 8-23.

Frenkel, Vera. “The work and those who made it possible.” The Institute TM Or, What We Do for Love/ L’Institut MD Ou, que ne ferait-on pas par amour. Toronto: Hart House, University of Toronto, 2003.

---. “Appreciation of Generative Contrasts.” The Institute TM Or, What We Do for Love/ L’Institut MD Ou, que ne ferait-on pas par amour. Toronto: Hart House, University of Toronto, 2003. 32-35.

Fung, Richard. “Future Past” Magnetic North: Canadian Experimental Video. Ed. Jenny Lion. Minneapolis: Walker Art Center, 2000. 38.

Hoolboom, Mike. “Mourning Pictures.” The Blood Records, written and annotated. Oakville: Oakville Galleries, 1998. 30-36.

Kunuk, Zacharias. "Local Channels: Zack Kunuk Remodels T.V./Chaînes locales: Zach Kunuk refaçonne la TV." Interview with Kass Banning. Parallellogramme 17:1, Summer 1991. 24-31

---. “Videographer racing against time.” Nunatsiaq News. 15 March 1996.

Legge, Elizabeth. “Analogues of Loss.” …from the Transit Bar / Body Missing. Riksutställningar/Swedish Travelling Exhibitions, Stockholm 1997. A longer version is published as "Of Loss and Leaving," Canadian Art, Winter 1996, Vol. 13, No. 4. 60-64

Malsch, Friedemann. “The Other Reality: The Multiples of General Idea.” Trans. Ann Thursfield. General Idea’s Fin de Siècle. Stuttgart: Württembergischer Kunstverein Stuttgart. 1992. 34–35.

Marshall, Stuart. “Strategies of Dissemblance.” Colin Campbell: Media Works 1972 – 1990. Winnipeg: Winnipeg Art Gallery, 1991. 24-30.

Metcalfe, Robin. Arts Atlantic 30 (8:2 1988)

Milroy, Sarah. “Fresh from Banff, with mountains of ideas,” The Globe and Mail. 5 March. 2005. R5.

Peacock, Jan. Soaring with Dogs (artist’s statement). Art Gallery of Nova Scotia, 2002. Curated by John Murchie.

---. “presence." Point and Shoot: Performance et photographie. Eds. Michèle Thériault and France Choinière. Montreal: Editions Dazibao, 2005.

Phillips, Todd. “Videographer Racing Against Time.” Nunatsiaq News. 15 March. 1996. http://www.nunanet.com/~nunat/week/60315.html

Rokeby, David. “Vera Frenkel and The Institute TM Or, What We Do for Love – in appreciation of generative contrasts / Vera Frenkel et l'Institut MD Ou, que ne ferait-on pas par amour – en reconnaissance des contrastes génératifs.” The Institute TM Or, What We Do for Love / L’Institut MD Ou, que ne ferait-on pas par amour. Toronto: Hart House, University of Toronto, 2003. 32-36.

Ross, Christine. Je vais vous raconter une histoire de fantômes : vidéos de Nelson Henricks / I’m going to tell you a ghost story: videos by Nelson Henricks. Trans. Donald McGrath. Montreal: Oboro, 1995.

Sherman, Tom. “Artists’ Behaviour in the First Decade.” Accounting for Culture: Thinking Through Cultural Citizenship. Eds. Andrew, Caroline, Monica Gattinger, M. Sharon Jeannotte, and Will Straw. Ottawa: University of Ottawa Press, 2005. 82-95.

---. Before and After the I-Bomb: An Artist in the Information Environment. Ed. Peggy Gale. Banff: Banff Centre Press, 2002.

---. “Three Texts on Video.” Canadian Art. Spring 2005, Vol. 22, No. 1. 56-62.

Tuer, Dot. “Threads of Memory…,” The Institute TM Or, What We Do for Love/ L’Institut MD Ou, que ne ferait-on pas par amour. Toronto: Hart House, University of Toronto, 2003. 24 – 31.

Whitewash. Dir. Jan Peacock. 1990. Videocassette.

Wong, Paul. E-mail to Peggy Gale. 12 June 2005.


Suggested further readings / Autres suggestions de lecture

Acconci, Vito. "Television, Furniture And Sculpture: The Room With the American View." Illuminating Video: An Essential Guide To Video Art. Ed. D. Hall and S.J. Fifer. New York: Aperture in Association with the Bay Area Video Coalition, 1991. 125-134.

Aquin, Stéphane. "Vidéo: une présence ondoyante." Un Archipel de désirs: les artistes du Québec et la scène internationale. Ed. Louise Déry. Quebec: Musée du Québec, 1991.

Atkins, Robert. ArtSpeak: A Guided to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. New York: Abbeville Press Publishers, 1997.

Baert, Renee. "Video/Video: Video/Television." Video/Vidéo. Toronto: Video Trade Forum, Festival of Festivals, 1981.

---. "Artists' Markings in the TV Landscape/Empreintes de l'artiste dans le paysage télé." Prime Time Video. Ed. Allan MacKay. Saskatoon: Mendel Art Gallery, 1984.

---. "La vidéo au Canada: en quête d'une identité/Video in Canada: In Search of Authority." Vidéo. Ed. René Payant. Montreal: Éditions Artextes, 1986.

Banning, Kass. "Local Channels: Zach Kunuk Remodels TV/Chaînes locales: Zach Kunuk refaçonne la TV." Parellogramme 17:1 (Summer 1991): 24-31

Blanchette, Manon, ed. Tom Sherman: Vidéogrammes et écrits/un aspect différent de la télévision. Montreal: Musée d'Art Contemporain, 1982.

---. "Vidéo et performance." Living Art Vancouver. Eds. Glenn Lewis, Kim Tomczak and Paul Wong. Vancouver: Western Front/Pumps/Video Inn, 1980.

Boulanger, Chantal. Au verso du monde: une bande vidéo de Charles Guilbert, Serge Murphy, Michel Grou. Montreal: Oboro, 1994.

Cameron, Eric. "Colin Campbell: La belle histoire d'Art Star/Colin Campbell: The Story of Art Star." Vie des Arts. 20:78 (Spring 1975): 46-7, 67-9

Carrière, Daniel. "Robert Morin ou le réseau des confidences." Éthique & télévision/4e manifestation internationale de vidéo et TV. Montbéliard, 1988.

---. "Qu'ils soient, qu'ils étaient, qu'ils allaient être: entrevue avec Charles Guilbert et Serge Murphy." ETC Montréal 16: November, 1991: 74-6

Cousineau, Marie-Hélène. "Inuit Women's Video/Des femmes inuits vidéastes." Parallelogramme 19:4, 1994: 34-9

Cartwright, Lisa and Marita Sturken. Practice of Looking: An Introduction to Visual Culture. New York: Oxford Press, 2001.

Dancyger, Ken. Techniques of Film and Video Editing. 3rd ed. Woburn, MA: Focal Press, 2002

Davis, Douglas. “Filmgoing/ Videogoing, Making Distinctions.” Video Culture: A Critical Investigation. Ed. John Hanhardt. Rochester: Visual Studies Workshop Press, 1986. 270–273

Diamond, Sara. “Daring Documents: The Practical Aesthetics of Early Vancouver Video.” Video re/View: The (best) Source for Critical Writings on Canadian Artists' Video. Eds. Gale, Peggy and Lisa Steele. Toronto: Art Metropole/ VTape, 1996. 162–189. Originally published in Vancouver anthology: the institutional politics of art. Ed. Stan Douglas. Vancouver: Talonbooks, 1991. 101-127.

Dinkla, Söke. "From Participation to Interaction: Toward the Origins of Interactive Art." Clicking In: Hot Links to a Digital Culture. Ed. Lynn H. Leeson. Seattle: Bay Press, 1996. 271-290.

Druckrey, Timothy, ed. Iterations: The New Image. New York: International Center of Photography. Cambridge, MA: MIT Press, 1993.

Elwes, Catherine. Video Art, A Guided Tour. New York: I.B. Tauris & Co Ltd., 2005.

Forget, Claude. Video Untamed: Passages and Stolen Memories, The First Ten Years of Vidéographe, 1971-1981/Un animal sauvage: traversées du discours et mémoires volées, les dix premières années du Vidéographe 1971-1981 [Video and Film by Artists Series/La série de vidéos et de films d'artistes]. Ottawa: National Gallery of Canada, 1990.

Frenkel, Vera. Of Memory and Displacement/Vera Frenkel: Collected Works. 3 DVDs + 1 CD-ROM. Design: Gilbert Li. Vtape Distribution. 2005.

Fung, Richard. "Colouring the Screen: Four Strategies in Anti-Racist Film and Video"/ "L'écran coloré: cinématographie et vidéographie - quatre stratégies antiracistes." Parellogramme 18:3 (1992-3): 38-52

---. "Les installations de Sara Diamond/The Installations of Sara Diamond." Sara Diamond: Mémoires ravivées, histoire narrée/Memories Revisited, History Retold. Ottawa: National Gallery of Canada, 1992.

---. "Paradox in Paul Wong's Work/Paul Wong, ou la valeur du paradoxe." Paul Wong: On Becoming a Man/Paul Wong: Un homme en puissance. Ed. Jean Gagnon. Ottawa: National Gallery of Canada, 1995.

Gagnon, Jean. "Les installations de Sara Diamond/The Installations of Sara Diamond." Sara Diamond: Mémoires ravivées, histoire narrée/Memories Revisited, History Retold. Ottawa: National Gallery of Canada, 1992.

Gale, Peggy. “A History in Four Moments.” Mirror Machine: Video and Identity. Ed. Janine Marchessault. Toronto: YYZ Books; Montreal: Centre for Research on Canadian Cultural Industries and Institutions, 1995.

---. Anarchive 2 : Digital Snow. Director of Research for encyclopedic research tool in DVD-ROM format. By and about Michael Snow. Paris: Anarchive; Montreal: Foundation Daniel Langlois, 2002.

---, Ed. Artists Talk: 1969-1977. Halifax: Nova Scotia College of Art and Design, 2004.

---, Ed. Tout le temps/Every Time. La Biennale de Montréal 2000. Montreal: Centre international d'art contemporain de Montréal, 2001

---. Ed. “Touching on Donigan Cumming / Le sujet de Donigan Cumming.” Donigan Cumming: Lying Quiet. Exhibition: “Donigan Cumming: Moving Pictures.” Toronto: Museum of Contemporary Canadian Art, 2004. Reprinted in 2005 by Vidéographe, Montreal, with DVD Box set of Cumming’s video.

---. Videotexts. Toronto: The Power Plant; Waterloo: Wilfred Laurier University Press. 1995

---. “Video Has Captured Our Imagination.” Video re/View: The (best) Source for Critical Writings on Canadian Artists' Video. Ed. Peggy Gale and Lisa Steele. Toronto: Art Metropole/ VTape, 1996. 114-120. Originally published in Parachute 7, Summer 1977. 16-18.

---. “When Video First Captured Our Imagination.” Videotexts. Toronto: The Power Plant; Waterloo: Wilfred Laurier University Press. 1995. 23–33.

---, and A.A. Bronson, eds. Museums by Artists Toronto: Art Metropole, 1983.

---, and Lisa Steele, eds. Video re/View: The (best) Source for Critical Writings on Canadian Artists' Video. Toronto: Art Metropole/ VTape, 1996.

Gingras, Nicole. "Vidéo québécois." Revue 24 image, Winter 1988-9, Vol. 41: 23

Greyson, John. “Waiting for the Sky to Fall,” Surface Tension, Toronto: Vtape, 2005. 5–25.

Hall, Doug and S.J. Fifer, eds. Illuminating Video: An Essential Guide To Video Art. New York: Aperture in Association with the Bay Area Video Coalition, 1991.

Hampe, Barry. "The Scripting Process." Video Scriptwriting. New York: Penguin Books, 1993. 14-22.

Hanhardt, John ed. Video Culture: A Critical Investigation. Rochester: Visual Studies Workshop Press, 1986.

Henricks, Nelson and Steve Reinke, eds. By the Skin of their Tongues: Artist Video-Scripts. Toronto: YYZ Books, 1997.

Haustein, Lydia. "The Transformative Power of Memory: Themes and Methods in the Work of Vera Frenkel/Le Pouvoir transformateur de la mémoire: thèmes et méthodes dans l'oeuvre de Vera Frenkel." ... from the Transit Bar/ ... du transitbar. Toronto: The Power Plant/Ottawa: National Gallery of Canada, 1995.

Hill, Leslie. "Suffragettes Invented Performance Art" The Routledge Reader in Politics and Performance. Ed. Goodman, Lizbeth and Jane de Gay. London: Routledge, 2000. 150–156.

Huws, Ursula. "Nature, Technology and Art: The Emergence of a New Relationship?" Leonardo. Cambridge: MIT Press. Vol. 33, No. 1, 2000. 33-40.

Knights, Karen. "Imager le féminin: l'art vidéo de Sara Diamond/Imaging the Feminine: The Video Art of Sara Diamond." Sara Diamond: Mémoires ravivées, histoire narrée. Ottawa: National Gallery of Canada, 1992.

Lee, Helen and Kerri Sakamoto, eds. Like Mangoes in July: The Work of Richard Fung. Toronto: Insomniac Press/ Images Festival, 2002.

Lion, Jenny, ed. Magnetic North: Canadian Experimental Video. Minneapolis: Walker Art Center/ University of Minnesota Press, 2000.

Manovitch, Lev. "Digital Cinema and the History of a Moving Image" The Language of New Media. Cambridge, MA: MIT Press, 2001. 293-308

Marchessault, Janine. Mirror Machine: Video and Identity. Toronto: YYZ Books, Toronto and CRCCII (Centre for Research on Canadian Cultural Industries and Institutions), McGill University, Montreal, 1995.

Mayer, Marc. Being and Time: The Emergence of Video Projection. Buffalo: Albright-Knox Art Gallery, 1996.

Mitchell, William J. "Beginnings." The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA: MIT Press, 2001. 2-10

Morin, Robert. "Faire des portraits." Éthique & télévision/4e manifestation internationale de vidéo et TV. Montbéliard: Centre d'action culturelle, 1988.

---. Parcours du Vidéaste (1976-1997)/The Videomaker’s Journey (1976-1997). Vol. 1-10 (10 DVDs). Vidéographe Distribution, Montreal. 2002.

Moscovitch, Arlene. Constructing Reality: Exploring Media Issues In Documentary. Montreal: National Film Board of Canada, 1993.

Podesta, Patti, ed. Resolution/A Critique of Video Art. Los Angeles: Los Angeles Contemporary Exhibitions, 1986.

Reinke, Steve and Tom Taylor, eds. Lux: A Decade of Artists’ Film and Video. Toronto: YYZ Books/ Pleasure Dome, 2000.

Renov, Michael and Erika Suderburg, eds. Resolutions: Contemporary Video Practices. Minnesota: University of Minnesota Press, 1996.

Riggs, Marlon. "Tongues Re – Tied." Resolutions: Contemporary Video Practices. Eds. Renov, Michael and Erika Suderberg. Minneapolis, Minn.: University of Minnesota Press, 1996. 185-188

Ross, Christine. Dispersions identitaires: vidéogrammes récents du Québec/Identity Dispersions: Recent Videos from Quebec. Toronto: Art Gallery of Ontario, 1994.

Tenhaaf, Nell. "Of Monitors and Men and Other Unsolved Feminist Mysteries"/"Des moniteurs et des hommes et autres mystères féministes non-résolus." Parellogramme 18: 3, 1992-3: 24-37

Tourangeau, Jean. "Production et analogie en vidéo/Transition and Analogy in Video." Robert Morin and Lorraine Dufour. A decade of video production. Ed. Brendan Cotter. Toronto: A Space, 1991.

Town, Elke, ed. Video By Artists 2. Toronto: Art Metropole, 1986

Tuer, Dot. "Video in Drag: Trans-sexing the Feminine/Lorsque la vidéo se travestit : la transgression du féminin." Parallelogramme 12:3, February/March 1987: 24-9, 37-43

Wong, Paul. “Yellow Peril: Reconsidered.” Yellow Peril: Reconsidered. Ed. Wong, Paul. Vancouver: On Edge, 1990. 6–12.

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